The course starts at the beginning of September 2019.  Applications can be submitted until the 13th of May 2019 (4PM).
Interviews in the second phase of the application process will take place in Gent the 27th of May 2019.
More info: see How to Apply

The contemporary sound art scene in Japan – Lecture and workshops 15-17 Feb 2019 : A weekend of lecture and workshops with Japanese soundartists in the extension of the exhibition “Between Sounds & Music – The Japanese scene”, curated by Anne-Laure Chamboissier at Le26 project space Felix Frachon Gallery.
Registration and info on

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Interesting links to performances on sound:


L’abbaye de La Chaise-Dieu possède une histoire remarquable quasi millénaire. L’ensemble patrimonial architectural s’ancre dans un environnement naturel et paysager exceptionnel marqué par une grande densité forestière. Depuis 2012, en partenariat avec le Festival du court-métrage de Clermont-Ferrand (association Sauve Qui Peut Le Court-Métrage) une résidence artistique est mise en œuvre à La Chaise-Dieu afin de soutenir la production de musique originale de court-métrage par l’enregistrement de cette musique.
Cette résidence artistique est d’une durée d’une semaine en décembre 2019 avec l’enregistrement de la musique du court-métrage à l’Auditorium Cziffra de la Chaise-Dieu et si besoin du montage et mixage au MC Studio à la Chomette. Différents moyens sont mis à disposition pour mener à bien cette résidence : une bourse entre 5000 € et 7000 € prenant en charge les frais artistiques (salaires des artistes…), l’auditorium Cziffra, un technicien son…
Ce projet est soutenu par la Direction régionale des affaires culturelles Auvergne/Rhône-Alpes, la Région Auvergne/Rhône-Alpes, le Département de la Haute-Loire et de la Société des Auteurs Compositeurs et Éditeurs de Musique (SACEM).
Date limite d’envoi des candidatures : vendredi 15 mars 2019
Plus d’info:

Yukio Fujimoto, Mamoru, Lyota Yagi, Atsushi Nishijima, Softpad and Tsuyoshi Hisakado.
Exhibition : Thursday 14 February → Sunday 05 May @ 26 BY FELIX FRACHON – Rue Saint Georges 26 – 1050 Ixelles (Belgium) 

Field-recording & sound artist presents most recent work

The work of Swedish composer and sound-artist BJ Nilsen, who operates from out of Amsterdam, is mainly concentrated on nature sounds and how these influence man. In his recent work, the artist focuses on the urban and industrial areas in the arctic regions of Norway and Russia.
Many of his scores are written for theatre, dance performances and film. In the past, Nilsen has worked with the likes of Chris Watson, Jóhann Jóhannsson, Stilluppsteypa, Angel,…
In AB Salon, he will present his latest work – concentrating on recordings around mining sites. For this, Nilsen made recordings in places like Kirkenes (NO), Moermansk (RU), Most (CZ), Heerlen, Rotterdam & Amsterdam (NL).
More info:

The exhibition The Measure of Disorder is curated by Ive Stevenheydens and runs until 23.12.2018 @ Argos, Werfstraat 13 / rue du Chantier 1000 Brussels, Belgium
Walking Sonic Texts – Sound Poetry and Movement in Space from 08/11 – 01/12 – @ Jan Mot, Petit Sablon / Kleine Zavel 10 1000 Brussels, Belgium


Seminar 21-22 March 2019: Simulation and Computer Experimentation in Music and Sound Art (Orpheus Institute, Ghent)
Proposals are invited that critically explore the space spanned by the different perspectives on simulation and experimental computation addressing their role in all areas of music, sound art and related research, in all its possible technical, technological, musicological or theoretical aspects. We invite proposals for presentations in the form of paper (20 minutes), demonstration or performance, or any hybrid thereof. We particularly welcome proposals for presentations that explore the role of simulation in innovative ways.
More info:

RUUKKU 12 call: sonic art, sonic practice, and sonic thought: artistic research and music today

RUUKKU is a multidisciplinary, multilingual, peer-reviewed journal on artistic research launched in 2013. RUUKKU is published and supported by the University of the Arts Helsinki, Aalto school of Arts, Design and Architecture and the Faculty of Art and Design at the University of Lapland, with a particular focus on multi-lingual publication. The primary languages of publication are Finnish, Swedish and English.

RUUKKU 12 collects case studies and insights related to the making of artistic event/work involving sound. Our hypothesis is that artistic practitioners invent and grasp knowledge on their way to establishing what will become new art, new practice, and new thought in sound. We are interested in finding out the extent and diversity of artistic knowledge production in and through sound. The questions may be approached in the context of environmental issues, historicity, technology, tradition, and all art or performative forms that involve sound.

The RUUKKU issue sonic art, sonic practice, sonic thought develops ideas from the symposium Encounters, Discussions, Experimentations: Art, Research, and Artistic Research in Music at the Venice Research Pavilion, hosted by the Uniarts Helsinki on 16-17 June 2017 at Sala del Camino, Venice.

We invite expositions and contributions from anyone interested in the topic for the 12thissue of RUUKKU. The editors of this issue are Mieko Kanno, Otso Lähdeoja, Päivi Järviö, Kristiina Ilmonen, and Markus Kuikka.
We ask you to write your proposals for research expositions in the RC catalogue at Note! The catalogue requires user rights and registration (see ‘register’). Please submit your proposals via the Research Catalogue (‘submit to publication’, ‘submit unlimited publication to’, and ‘ruukku’) no later than 15th January 2019.

The work of former EPAS student Alina Ozerova can be seen at the following exhibitions:

October 20 – November 24 2018: Group show ‘How one thing leads to another’, Josilda da Conceição Gallery, Amsterdam
Sound and video installation ‘Does the bird who flies with bats sleep upside down?’

December 27 – 30 2018: This Art Fair 2018, Beurs van Berlage, Amsterdam
Sound installation ‘Take me, bring me’

The work of former EPAS student Rebecca Glover (UK) can be seen at the following exhibitions:

Standing in its own time – 2018 world premiere, co-commissioned by Contrechamps & Kammer Klang
1st November 2018 – with Contrechamps
8pm @The iceBergues, Geneva

6th November 2018 – with Abstrukt and Contrechamps
7.30pm @Cafe Oto, London